To celebrate the first anniversary of Garage’s move into its permanent home, Urs Fischer has developed Small Axe, an exhibition that responds to the building and its surroundings with spirited lightness and humor. Creating a series of installations that play with scale and sensory perception, the Swiss-born artist invites audiences to experience the Museum from a new perspective.
Occupying the Central Gallery, the installation includes more than twenty bronze hand-painted sculptures produced especially for the show. Small in scale, each captures a transient moment—from a wilted tulip in a vase to a rat playing a grand piano—populating the gallery with flights of fantasy in physical forms that provide an antidote to the austerity and grandeur of the Soviet Modernist architecture. Further asserting the desire to introduce fluidity and immediacy into the Museum, larger works include a life-size candle sculpture that captures an affectionate moment between a seated couple, which will be lit each day and gradually melt over the course of the exhibition, and a 9-meter-long gestural line that visitors can walk under and around, which is a greatly magnified sculptural version of a hand-drawn doodle. Just as a quickly drawn line becomes an architectural form in Fischer’s installation, gestural brushstrokes become animate in his recent paintings, which also play with space and scale. In these, the artist has painted over snapshots taken in his garden in Los Angeles and then greatly enlarged the results, to create paintings that fictionalize both the original landscapes and the brushstrokes into commanding yet approachable artifice.
Small Axe also extends to Garage Square, where Fischer will stage the largest collaborative outdoor project he has ever made, which is called YES. The piece involves inviting people from all walks of life to create a landscape of clay sculptures that will metamorphose over the course of the show. The open process through which the work comes together—contrasted with the contained process of creation in the studio—echoes the importance of communal activity and unregulated synergetic forces within society. For the first week of the project, running up to Garage’s one-year anniversary and Russia Day celebrations, Fischer has also invited his longtime collaborators Mina Stone and Alex Eagleton to prepare meals for the project volunteers and participants. Working in Moscow for the first time, the chefs will use local seasonal produce to create a different menu every day.
A third aspect to Small Axe will be presented from July 4 in Garage’s West Gallery, where Fischer has worked with the Garage team to create a communal space through which to discover more about the YES project and the artist.
Organized by Kate Fowle, Garage Chief Curator, with Snejana Krasteva and Anastasia Mityushina, Garage Curators.
Thanks go to Urs Fischer’s studio, and in particular Priya Bhatnagar, Jaime Gecker, and Angela Kunicky. Thanks as well to Gorky Park Administration.
ABOUT THE ARTIST
Urs Fischer was born in Zurich, Switzerland, in 1973. Recent solo exhibitions include Big Clay #4, Seagram Plaza, New York (2015); YES, Deste Project Space, Slaughterhouse, Hydra, Greece (2013); and Urs Fischer, MOCA, Los Angeles (2013). Recent group exhibitions include The Event Sculpture, Henry Moore Institute, Leeds, UK (2015);The Human Factor: The Figure in Contemporary Sculpture, Hayward Gallery at Southbank Centre, London (2014); and A Place in Two Dimensions: A Selection from Colección Jumex, Museo Jumex, Mexico City (2013). Fischer’s work was included in the Venice Biennale in 2003, 2007, and 2011. He lives and works in New York.
ABOUT THE YES PROJECT
YES is an ongoing project initiated by Fischer in 2011 and most recently staged in 2015 at the Henry Moore Institute in Leeds, UK. For every staging, Fischer’s collaborators are given complete freedom to mold tons of clay into giant objects or tiny sculptures. For the Moscow iteration, the artist will work with volunteers from various art schools, including the British Higher School of Art and Design, Moscow Architectural Institute (MARCHI), Stroganov Moscow State University of Arts, and Surikov Art Institute, as well as visitors to Gorky Park.