New York, NY. USA
March 15, 2014–September 07, 2014
The Michael H. Dunn Galleries, second floor
Robert Heinecken (1931–2006) was a pioneer in the postwar Los Angeles art scene. Describing himself as a “para-photographer,” because his work stood “beside” or “beyond” traditional ideas associated with photography, Heinecken worked across multiple mediums, including photography, sculpture, video, printmaking, and collage. Culling images from newspapers, magazines, pornography, and television, he recontextualized them through collage and assemblage, double-sided photograms, darkroom experimentation, and rephotography. Although Heinecken was rarely behind the lens of a camera, his photo-based works question the nature of photography and radically redefine the perception of it as an artistic medium. His works explore themes of commercialism, Americana, kitsch, sex, the body, and gender. In doing so, they also expose his obsession with popular culture and its effects on society, and with the relationship between the original and the copy.
This survey exhibition covers five decades of the artist’s remarkable, unique practice, from the early 1960s through the late 1990s. Although Heinecken was prolific, this exhibition is a focused presentation of his major works, emphasizing early experiments that investigated technique and materiality and sought to destabilize the very definition of photography. Heinecken’s innovative and diverse experimentation resonates deeply with current artistic practice, and his prescient exploration of the definition of photography, the possibilities of appropriation, and the limitations of artistic categories is as relevant today as it was 50 years ago.
The exhibition is organized by Eva Respini, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
Major support for the exhibition is provided by The William Randolph Hearst Endowment Fund and by The Robert Mapplethorpe Foundation.
Additional funding is provided by The Junior Associates of The Museum of Modern Art and by the MoMA Annual Exhibition Fund.
Special thanks to the Center for Creative Photography, University of Arizona, Tucson, which houses the Robert Heinecken Archive, and to The Robert Heinecken Trust, Chicago.